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"A
burst of colour, noise and imagination ... I would be slightly
concerned if you had witnessed anything like it before" - Tom
Ravenscroft, The New Statesman
"Maverick composer" - The Wire
"A truly English original who we should cherish deeply" - Sound
Projector
"Sounds like Vivian Stanshall, Syd
Barratt and Dali making merry" - Mojo Magazine
"The musical man of the moment" - The Times
"Eccentric,
boundary testing, ridiculously different…In some ways you could
say that Ergo Phizmiz is the complete artist…” - The Kaje
"Bloody marvellous" - Clash
Magazine
"Goes to show how major record companies
have lost touch completely" - Pennyblack Music
“We can't
decide whether he's the new Viv Stanshall, a young Eno, a British
Zappa, or a replacement for Frank Sidebottom" - The Guardian
"An ear practised in making the magical
brush shoulders with the mundane" - Drowned In Sound
"One man movement" - The Wire
"The Emperor of Music!" - Tom Ravenscroft
"One of the most inventive composers around...a musical equivalent to
Chris Morris" - BBC Radio 3, Mixing It |
Over the past twelve years Ergo Phizmiz
has become one of the most defiantly single-minded and uncategorisable
artists in the world. Across pop music, opera, radio-art, puppet
theatre, film scores, cover versions, sound-collage, installations,
sound-poetry and electronic music, he has built a body of work that
exceeds 300 hours.
Radio: Ergo Phizmiz has produced radio for BBC Radio 3, BBC 6 Music,
WFMU, Soundart Radio, Resonance FM, WDR3, DRadio Kultur, Silenceradio,
and other stations internationally. This output has spanned radioplays,
documentary, large-scale sound-collages, and live improvised radio. He
received the Special Mention in the composed radio category at the 2010
Prix Italia for his "Paul Klee, a Balloon, the Moon, Music & Me"
for BBC Radio 3.
Opera: After teenage years spent writing operas (as detailed in the
2011 WDR3 programme "Disappearing Boxes"), Ergo returned at the age of
30 to this form with the alternately shocking and hysterical "The
Mourning Show", in which radio DJ Chris Evans is driven to insanity and
plummets to his death in the misguided belief he is a bird. This was
followed by the one-man semi-opera "Fulcanelli's Shoes", a
performance-lecture-of-lies. Most recently he has produced a radical
adaptation of Flann O'Brien's absurdist novel "The Third Policeman", in
which electronic music, puppetry, stagecraft, and animation collide
into an intense unity. He has recently been nominated for the Arts
Foundation Opera Composition Fellowship.
Netaudio: A prolific exponent of free, Creative Commons netaudio, he
has worked with the netlabels Headphonica, UpItUp, and Bad Panda
Records on a wide range of projects, notably "The Faust Cycle", a 15
hour audio adventure produced over four years in collaboration with
sound-artists from across the globe. Other netaudio works have included
"M: 1000 Year Mix", and a series of acoustic & toy instrument
cover-versions of pop music history, from the Velvet Underground, to
Aphex Twin, Beyonce, The Prodigy, and 1990s club classics. His own
netlabel, Chinstrap, releases music by collaborators, friends and
fellow adventurers, as well as found audio, forgotten 78 RPM
obscurities, and cuttings from public-domain film soundtracks.
Pop music: A lover of pop music from the
1920s onwards, Ergo Phizmiz is a songwriter of polished nuggets of pop
gold. Often misunderstood as a writer of "comey songs", because the
subject matter of his songwriting isn't limited to talking about
fucking or trying to fuck (rather, in the tradition of the best
calypso, a song can be about anything whatsoever), his work in pop has
just began to be appreciated, via the 2010 release of "Things to Do and
Make" on Care in the Community Recordings, to be followed soon by
"Look, Do and Listen" on the same label which refines vastly his
songwriting craft.
Visual Art: Ergo has also produced a wide range of visual art, in
films, installations and collage. He produced "Forest" for the Venn
Festival, "The Invention of Birds" for Soundart Radio, an avant-garde
children's television pilot programme, a wide range of puppet and
stop-motion films, and most recently the exhibition "Staticopera" for
Tete-a-Tete: The Opera Festival 2011.
Ergo Phizmiz's work has been presented in performance, exhibition and
broadcast throughout the UK, France, Belgium, Germany, Switzerland,
Denmark, Spain, the Netherlands, Poland, Romania, Japan, and the USA.
He lives in Bridport, UK, operating from his own giant-shelf studio
called Grindia or Grin Dear.